Tampilkan postingan dengan label Fast Five. Tampilkan semua postingan
Tampilkan postingan dengan label Fast Five. Tampilkan semua postingan

Minggu, 15 Mei 2011

5 Ways 'Fast and The Furious' Changed Cars


Fast Five, the latest installment of The Fast and The Furious film franchise, isn't just a statement on American car culture, but a reminder of why your Ford Fiesta is available in "Lime Squeeze Metallic" paint.


A tribute to all the gearheads and tuners who make 1995 Toyota (TM) Supras that can dust Ferraris, The Fast and The Furious films were ubiquitous enough to soak their way into nearly every aspect of American auto culture. The namesake first film made $207 million worldwide when it was released in June 2001; follow-up 2 Fast 2 Furious topped that with $236 million in 2003; and the most recent installment, Fast & Furious, outdid them both with a $359 million take in 2009. Even the weakest film in the series, the 2006 Vin Diesel- and Paul Walker-devoid The Fast and The Furious: Tokyo Drift nearly quadrupled its $40 million budget with $158 million in box office revenues.

It's a lot easier to get fired up about turning a 1995 Honda (HMC) Civic into a big-horsepower beast on a double wishbone suspension when gas prices average $1.53 a gallon, as they did the week the first Fast and the Furious film hit theaters. With average gas prices at $3.88 per gallon and rising as the latest installment hits theaters Friday, furious drivers are somewhat less fast to fork over the cash and play street racer during the morning commute. Auto sales were up 17% last month, but the race for more fuel-efficiency left gas-guzzling performance cars in the dust.

Even if you're crammed into a 35-mile-per-gallon compact, however, there are still Fast and The Furious flourishes all over your automobile. Though they may not all encourage Jordana Brewster, Eva Mendez or Ludacris to hop in your ride, The Street found five ways The Fast and The Furious changed your car forever:

1. Customization 

Would Toyota have introduced its highly customizable Scion marque in 2003 even if The Fast and The Furious weren’t released two years earlier? Probably.

Do Scion and competitors such as Kia that offer 150 different accessories for car buyers to choose from owe just a little something to The Fast and The Furious and the custom car culture that produced it? Absolutely. There's a reason the Scion's first models were introduced in California and Kia's Soul was conceived there, and it's the same reason The Fast and The Furious thrived in its West Coast surroundings. The custom scene there is well-established, and it and the California-based Special Equipment Market Association have been giving drivers choices big automakers hadn't in a long time.

"The tuner scene and custom scene is influential," says Angus Mackenzie, editor-in-chief of Motor Trend magazine. "I know car designers who go to SEMA shows to see if there are new colors or new trends to pick up on."
Those trends can add up to big money when offered a la carte, and automakers were quick to catch on. When BMW introduced the U.S. market to the Mini back in 2002, it provided a combination of colors and options that MacKenzie said made the average Mini buyer put roughly $4,000 worth of options into their car. That price tag gets a little larger when the car you're tuning up in the showroom is a Porsche 911, which has options such as gold crests on the wheels that drive buyers to spend $8,000 to $10,000 on options alone.

"The trend toward mass customization had been talked about in the industry for a long time, and there were a lot of very big proponents of it," Mackenzie says. "It's what Detroit used to do in the 1960s before it lost its way."

2. Big horsepower, small packages 
In a country raised on big, muscly Barracudas, Trans-Ams and Grand Nationals, the sight of a nitro-fueled 1995 Mitsubishi Eclipse on the line in a high-stakes street race may have been a bit much for the automotive old guard to stomach. Ten years later, when a Mini Cooper Clubman S gets 181 horsepower and a Subaru WRX STi gets a Mustang-like 305 horsepower, the idea of a small car putting on a big show isn't so foreign.

"If you look at the market right now, it's a golden age for horsepower and performance," Mackenzie says. "There are more cars available on the market with 400 horsepower or more than at any time in history."

According to the Environmental Protection Agency, the average horsepower for cars in the U.S. in 1998 was 171. Back then, it took that field an average 10.9 seconds to get from zero to 60 miles per hour and only 1.4% of cars had a turbocharger there to help. Last year, average horsepower surged to 220 and 0-to-60 times averaged out to 9.5 seconds -- and 3.2% of vehicles are now turbocharged.

Instead of letting the little guys lap them, though, the U.S. automakers brought bigger, beefier performance cars to the starting line. GM (GM) just unveiled a 550-horsepower Camaro and even GM's Cadillacs are getting brawnier, with the CTS-V sporting 556 horsepower. The difference is that they're doing it more efficiently, with the 305-horsepower Mustang also getting 31 miles per gallon. None of that was even imaginable among American automakers in 2001.

"American performance was a contradiction in terms," Mackenzie says. "You now have the Camaro, Mustang, Charger, Challenger and the Cadillac CTS-V with a manual transmission that are genuine, authentic American muscle cars with a level of performance that guys back in the alleged golden era of the '60s and '70s could never have even dreamed about."

3. A broader paint palette 
There's a reason why even Ford's compact Fiesta and Hyundai's upcoming Veloster sports coupe look like Walker's lime Eclipse from the first film: Factory paint before The Fast and The Furious was pitiful.

"Manufacturing's gotten more flexible in terms of allowing people to do paint and trim options together," Mackenzie says. "Toyota drove the industry to a standardized mouse-gray interior because it was cheap and easy to do, but now Chevy has a new Malibu with a dark color pattern in a black or in a brown because customers are bored with gray."

Ford's palette for the Fiesta's exterior has nine colors, and even that seems a bit conservative. Automakers such as Audi are known for offering European customers a color-wheel's worth of choices for their rides. Struggling, once-bankrupted U.S. automakers are playing catch-up and making street-worthy colors and tricked-out trim a key portion of their sales pitch.

Chrysler's 300 C has a performance version where black chrome wheels are an option, as is a satin finish instead of chrome and two-tone leather. Chrysler's Fiat 500 has 14 exterior colors and 12 different interior color patterns, which Mackenzie says can add up to 500,000 different variations based on colors and options.

"If you went to a SEMA show four or five years ago, matte-finish paints were on all the cars -- matte black, matte orange and that sort of thing," Mackenzie says. "Now the industry's picked up these paints, so you can have a Lamborghini in matte white or a Mercedes-Benz in a color called alubeam, which is a matte silver that makes the car look like it's made out of metal."

4. Interior tech 
Even though their interior LEDs may not be linked to tachometers or nitrous tank gauges, car buyers' center consoles are doing just as much multitasking as those installed in The Fast and the Furious street racers.

From Ford's Microsoft (MSFT)-powered Sync entertainment system linking audio, GPS and Bluetooth to the Toyota Enform Safety system installed in its Lexus luxury brand, the all-in-one center console allows the average commuter to feel in touch with their ride without breaking any local traffic laws. For automakers such as Toyota, Honda, Volkswagen and others that like to restrict their racing personae to the big driving circuits and keep their consumer products as sensible as possible, it's a way to perform for buyers without giving them too much performance.

"I think the Japanese companies really struggle with brand, and both Toyota and Honda perceive themselves a certain way," Mackenzie says. "They've played around with performance cars, but they've always backed away."

5. Vin Diesel wannabes 

When The Fast and the Furious was released in 2001, sales for compact-performance products totaled $2.86 billion, according to SEMA. A year later, sales jumped to $3 billion.

Mackenzie says hardcore gearheads have roundly ignored the films or see them as strictly entertainment, which means that surge came mostly from newbies who may have opened their car's hood a time or two to check the oil.

Unfortunately, much of that enthusiasm failed to trickle down through the sequels with any consistency. While performance parts companies such as Turbonetics saw enough of a bump from the films to invest in being featured in the sequels -- Turbonetics was in Fast & Furious, its logo featured on the front of Walker's Nissan Skyline -- Mackenzie doubts the franchise has converted any corporate drones into full-time tuners.

"The Fast and the Furious franchise is philosophically not a lot different from the hot rod movies of the early '60s," Mackenzie say. "They're picking on a cultural phenomenon or a subculture, as it were, and whether that inspired anyone new to go out and customize a car ... probably not."
-- Written by Jason Notte in Boston
Source: TheStreet 

Selasa, 03 Mei 2011

Fast Five - Start up with No. 1 spot at the weekend box office




LOS ANGELES - "Fast Five" has left the competition in the dust with an $83.6 million debut to grab the No. 1 spot at the weekend box office, according to studio estimates Sunday.



Universal Pictures' fifth movie in "The Fast and the Furious" franchise was by far this year's biggest opening. Its take was more than double the previous best of $39.2 million for "Rio," the 20th Century Fox animated hit that slipped to No. 2 with $14.4 million.


The No. 1 movie the two previous weekends, "Rio" raised its total to $103.6 million.


"Fast Five" set a record for best April debut ever, speeding past the $71 million haul of its predecessor, "Fast & Furious," two years ago.


The movie reteams stars Vin Diesel and Paul Walker as outlaw driving aces and adds Dwayne Johnson as a federal agent on their tail. The action expands beyond the franchise's traditional racing scene into a broad crime romp.
"Summer began April 29," said Nikki Rocco, head of distribution for Universal. "This was all about the right decisions we made, from the concept to the task. How this was made, that it's not just a car-racing movie, but making it into an action-heist movie. ... And the marketing that said, 'This is not the same. This is new. You're going to love this, and it's going to open up a whole new world.'"
The movie gave Hollywood a huge head-start on the summer season, which begins with next weekend's debut of the Paramount Pictures superhero saga "Thor."


Overall revenues totaled $155 million, up a whopping 52 percent from the same weekend last year, when "A Nightmare on Elm Street" was No. 1 with $32.9 million, according to box-office tracker Hollywood.com.


It was the third-straight weekend that receipts climbed, lifting Hollywood out of a prolonged downturn that began last fall. Revenues for 2011 were running 20.5 percent behind last year's just three weeks ago, but the rebound since then has left Hollywood's business down just 14.2 percent compared with 2010.


"What a difference three weeks can make," said Hollywood.com analyst Paul Dergarabedian. "We get so gloom-and-doom, and appropriately so, but look how quickly we're turning this around. And we're on the cusp of the biggest movie-going season of the year."


"Fast Five" added $81.4 million overseas to bring its worldwide total to $165 million. "Thor" already has opened in many international markets, pulling in $93 million overseas ahead of its U.S. release.


Domestically, the weekend's other new wide releases tanked. Disney's teen romance "Prom" debuted at No. 5 with only $5 million, while the Weinstein Co. animated sequel "Hoodwinked Too! Hood vs. Evil" opened at No. 6 with just $4.1 million.


Freestyle Releasing's horror comedy "Dylan Dog: Dead of Night," featuring "Superman Returns" star Brandon Routh, debuted far outside the top-10 with a paltry $885,000.


"Dylan Dog" played in narrower release of 875 theaters, averaging $1,011 a cinema, compared with $1,832 in 2,730 theaters for "Prom" and $1,653 in 2,505 cinemas for "Hoodwinked Too."


"Fast Five" played in 3,644 theaters, averaging a mammoth $22,950 a cinema.
Ten percent, or $8.3 million, of domestic revenues for "Fast Five" came from huge-screen IMAX theaters.


Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Final figures will be released Monday.


1. "Fast Five," $83.6 million.
2. "Rio," $14.4 million.
3. "Tyler Perry's Madea's Big Happy Family," $10.1 million.
4. "Water for Elephants," $9.1 million.
5. "Prom," $5 million.
6. "Hoodwinked Too! Hood vs. Evil," $4.1 million.
7. "Soul Surfer," $3.3 million.
8. "Insidious," $2.7 million.
9. "Hop," $2.6 million.
10. "Source Code," $2.5 million. 


Source & Read more: Yahoo & Hollywood box office 

Senin, 02 Mei 2011

Cars used in filming Fast Five

 Here are the Name List of the Car that has been used to make a movie Fast Five

1963 Ford Galaxy
1966 Ford GT40
1966 Corvette Grand Sport

1967 International Scout
1970 Charger
1970 Ford Maverick
1972 Nissan Skyline
1972 Pantera Detomaso
1996 Toyota Supra
2002 Porsche GT3
2006 GMC 2500 Yukon
2009 Nissan 370Z
2010 Dodge Challenger
2010 Subaru STi
2010 Lexus LFA
2010 Modified Vault Chargers
2011 Dodge Charger Police Interceptor
Gurkha LAPV
Ducati Street Racer
Train Heist Truck
Koenigsegg CCX

1963 Corvette Grand Sport

1963 Ford Galaxy

1966 ford gt40

1972 Nissan Skyline

1972 Pantera Detomaso

1996 Toyota Supra

2002 Porsche GT3

2002 Porsche GT3

2006 GMC 2500 Yukon

2009 Nissan 370Z

2010 Dodge Challenger

2010 Lexus LFA

2010 Modified Vault Chargers

2010 Subaru STi

2011 Dodge Charger Police Interceptor

Ford Mustang Mach

Koenigsegg CCX

Koenigsegg CCX